..exploring relationships between gender, technology and systems of power
American Beauty (a Trump L'oeil) currently showing at the Barbican, London till December 2018
IMAGE: Created by the Artist
News 2018
+ Lunchtime Lecture @ V&A, "The Digital Distraction" Talk , V&A, London, UK [21.11]
+ ING Discerning EYE (Invited Artist) , Mall Galleries, London, UK [15.11 - 25.11]
+ Mozilla Festival (MozFest) 2018, Ravensbourne, London, UK [26.10 - 28.10]
+ The Annotated Reader, Contributor, (Ryan Gander|J P Walls) , Cork St Galleries, London, UK [02.10 - 13.10]
+ A Portable Hole, The Bomb Factory, London, UK [04.10 - 14.10]
+ London Design Festival, "The Making of TOK", Talk , V&A, London, UK [18.10]
+ London Design Festival, "The Transubstantiation of Knowledge" , V&A [15.10 - 23.10]
+ Measures of Life (Group Show), Humber St Gallery, Hull, UK [21.6 - 4.10]
+ London Open 2018, Whitechapel Gallery, London , UK [8.6 - 26.8]
+ Barbican G Floor Commission, Barbican Centre, London, UK [24.05 - 31.12]
+ Manspreading (Screening), GRRL HAUS Cinema, Berlin, Germany [22.5]
+ Aesthetica Symposium (Speaker) , York, UK [18.5]
+ Lumen and V&A Digital Futures (Speaker), Politics of Code in Art, UAL, London, UK [16.5]
+ Codes of Practice: Deciphering Technology in Contemporary Women's Art , Speaker, Courtauld Institute, London [10.5]
+ Manspreading (Screening), CINEMQ, Shanghai , China [19.4]
+ Courtauld Institute (Speaker), Res | fest , Somerset House, London [25.4]
+ Arte Laguna Prize (Finalist Showing), Nappe Arsenale Nord, Venice, Italy [18.03 - 08.04]
+ Royal West Academy (Panelist), There's No Such Thing as A Women Artist [08.3]
+ London-Worldwide Comedy Awards (Special Mention for Manspreading), London, UK [24.2]
+ BBC Radio 4 (Interview), The World this Weekend - The Economy of Contemporary Art [21.1]
+ V&A Friday Lates (Showing), Symbols and Secrets, V&A, London, UK [26.1]
+ London Art Fair (Panelist), Curating Gender and Gender identity in Art [18.1]
+ London Art Fair (Showing with Anise Gallery), London, UK [17.1 -21.1]
+ ING Discerning EYE (Invited Artist) , Mall Galleries, London, UK [15.11 - 25.11]
+ Mozilla Festival (MozFest) 2018, Ravensbourne, London, UK [26.10 - 28.10]
+ The Annotated Reader, Contributor, (Ryan Gander|J P Walls) , Cork St Galleries, London, UK [02.10 - 13.10]
+ A Portable Hole, The Bomb Factory, London, UK [04.10 - 14.10]
+ London Design Festival, "The Making of TOK", Talk , V&A, London, UK [18.10]
+ London Design Festival, "The Transubstantiation of Knowledge" , V&A [15.10 - 23.10]
+ Measures of Life (Group Show), Humber St Gallery, Hull, UK [21.6 - 4.10]
+ London Open 2018, Whitechapel Gallery, London , UK [8.6 - 26.8]
+ Barbican G Floor Commission, Barbican Centre, London, UK [24.05 - 31.12]
+ Manspreading (Screening), GRRL HAUS Cinema, Berlin, Germany [22.5]
+ Aesthetica Symposium (Speaker) , York, UK [18.5]
+ Lumen and V&A Digital Futures (Speaker), Politics of Code in Art, UAL, London, UK [16.5]
+ Codes of Practice: Deciphering Technology in Contemporary Women's Art , Speaker, Courtauld Institute, London [10.5]
+ Manspreading (Screening), CINEMQ, Shanghai , China [19.4]
+ Courtauld Institute (Speaker), Res | fest , Somerset House, London [25.4]
+ Arte Laguna Prize (Finalist Showing), Nappe Arsenale Nord, Venice, Italy [18.03 - 08.04]
+ Royal West Academy (Panelist), There's No Such Thing as A Women Artist [08.3]
+ London-Worldwide Comedy Awards (Special Mention for Manspreading), London, UK [24.2]
+ BBC Radio 4 (Interview), The World this Weekend - The Economy of Contemporary Art [21.1]
+ V&A Friday Lates (Showing), Symbols and Secrets, V&A, London, UK [26.1]
+ London Art Fair (Panelist), Curating Gender and Gender identity in Art [18.1]
+ London Art Fair (Showing with Anise Gallery), London, UK [17.1 -21.1]
IMAGE ABOVE "This Much I'm Worth", Whitechapel Gallery, London, June - Aug 2018
IMAGE: Photograph by Anise Gallery
IMAGE LEFT: Self Portrait with a wig, in conversation @ Barbican Commission 2018
IMAGE: Photograph by the Artist (self portrait)
Cover & Feature of this months FT Wealth
IMAGE: Photograph by Charlie Bibby (Financial Times)
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