• News
  • PROJECTS
    • The Parable of the Leaf Blower
    • The Dyslexic Feminist
    • Outrageous Algorithms [2020]
    • Dissent Module [2020]
    • This Much I'm Worth [2019]
    • Transubstantiation of Knowledge [2018]
    • American Beauty [2018]
    • Small Acts of Violence [2018]
    • The Ancestors [2018]
    • The Monolith [2018]
    • This Much I'm Worth [2017]
    • The Ancestor [2017]
    • Queer is the New Straight [2017]
    • The Awakening [2017]
    • Cocksure [2016]
    • D.O.A.M Series [2014 - 20]
    • The Menses Tapes [2016]
    • This Much I'm Worth [2014 - 2016]
    • A Working Drawing [2016 & 2019]
    • Shad Thames Portraits [2016]
    • Fraught [2015]
    • Banker's Shoes [2015]
    • Manspreading [2015]
    • A5 [2015]
    • Superstar [2014]
    • Stamp of Disapproval [2014]
    • Love, Regret and Death [2014]
    • Grip [2014] >
      • Silhouette in Morris & Co ®
      • Silence in Zoffany 1®
      • Silence in Zoffany 2 ®
      • Playful Tiff in Disney ®
      • Grip in Farrow and Ball ®
      • Sensation in Osborne & Little ®
      • Guerrilla (Tondo)
      • Guerrilla (Cameo)
      • Guerrilla (ARA Sisters)
    • Goldsmiths Paintings [1995] >
      • Painting
      • Clone
      • Rotherhithe St.
    • Monomyth [1997]
    • Clone Series [1994] >
      • Clone I
      • Clone II
      • High Clone
  • About
  • Press & Publications
  • Contact
  • Studio
  • Art + Plagiarism
  • 0-9_OFF
  • 0-9_ON
RACHEL ARA
NEXT PROJECT

Fraught (Because Life Isn't Pure, Simple, Silent, Honest and Absolute)

Fraught (Because Life Isn't Pure, Simple, Silent, Honest and Absolute)  |  2015  |  Paint on Kerfed Stretcher  | 900 mm x 1890 mm x 30mm  ( 35" x 74" x1" )


Grey paint on hand bent wooden triangle using Farrow & Ball "Dark Undertones".   The stretcher was kerfed and hand bent by the artist employing factor methodologies favored by Alan Charlton and Carl Andre.  This work was inspired by the analysis of the pricing of works by key artists at the RA Summer Show 2015 and comments on the gender imbalance on the values of artwork.

​​Photographed at the "Process Show" at the Barbican.
​


 ©  Rachel Ara 2022
  • News
  • PROJECTS
    • The Parable of the Leaf Blower
    • The Dyslexic Feminist
    • Outrageous Algorithms [2020]
    • Dissent Module [2020]
    • This Much I'm Worth [2019]
    • Transubstantiation of Knowledge [2018]
    • American Beauty [2018]
    • Small Acts of Violence [2018]
    • The Ancestors [2018]
    • The Monolith [2018]
    • This Much I'm Worth [2017]
    • The Ancestor [2017]
    • Queer is the New Straight [2017]
    • The Awakening [2017]
    • Cocksure [2016]
    • D.O.A.M Series [2014 - 20]
    • The Menses Tapes [2016]
    • This Much I'm Worth [2014 - 2016]
    • A Working Drawing [2016 & 2019]
    • Shad Thames Portraits [2016]
    • Fraught [2015]
    • Banker's Shoes [2015]
    • Manspreading [2015]
    • A5 [2015]
    • Superstar [2014]
    • Stamp of Disapproval [2014]
    • Love, Regret and Death [2014]
    • Grip [2014] >
      • Silhouette in Morris & Co ®
      • Silence in Zoffany 1®
      • Silence in Zoffany 2 ®
      • Playful Tiff in Disney ®
      • Grip in Farrow and Ball ®
      • Sensation in Osborne & Little ®
      • Guerrilla (Tondo)
      • Guerrilla (Cameo)
      • Guerrilla (ARA Sisters)
    • Goldsmiths Paintings [1995] >
      • Painting
      • Clone
      • Rotherhithe St.
    • Monomyth [1997]
    • Clone Series [1994] >
      • Clone I
      • Clone II
      • High Clone
  • About
  • Press & Publications
  • Contact
  • Studio
  • Art + Plagiarism
  • 0-9_OFF
  • 0-9_ON